A priest gains popularity after his wife miraculously survives a deadly illness. But when the authenticity of the miracle is questioned, he has to prove it was God's power that saved her, which plunges him into the depths of the occult.

In a time of forgiving and giving thanks, a reverend and his family take in a troubled boy named Mason after having lost a son of their own. It's a bumpy ride for Mason, butting heads with his new step-brother and the church counselor he's sentenced to see on a weekly basis. However, with and a renewed faith and a deeper understanding of Thanksgiving traditions, Mason must not only learn to forgive himself, but to understand the true meaning of family.

In a time of forgiving and giving thanks, a reverend and his family take in a troubled boy named Mason after having lost a son of their own. It's a bumpy ride for Mason, butting heads with his new step-brother and the church counselor he's sentenced to see on a weekly basis. However, with and a renewed faith and a deeper understanding of Thanksgiving traditions, Mason must not only learn to forgive himself, but to understand the true meaning of family.

The Hunters and the Hunted: The Making of Predator 2 is a 2005 documentary that details the production of the 1990 film Predator 2. Created for the Predator 2: Special Edition DVD set, it uses interviews with the film's cast and crew, as well as behind the scenes footage and imagery, to examine the development, filming and release of the movie.

Director Louis Thévenon followed Pascal Laugier on the set of The Secret in British Columbia. Shaking the conformism of traditional making of, In The Shadow of The Tall Man invites us to enter the bowels of an intense feature film.

In The Making of Monster the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Douglas Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver, which also inspired Gordon’s Through a Looking Glass (1999).

This short documentary takes a look at the making of Twentieth Century Fox's 1944 film "The Lodger".

"Perhaps the most striking aspect of George Snow’s work is is its visual richness, vitality and sheer exuberance: whether it is a narrative piece or a more abstract and visceral work, his masterly use of electronic colour enhancement, and virtuosity in manipulation of the image result in a visually seductive experience." - LUX

Suicide bombers are chosen by chance and their funeral rites accomplish the work of God. On this particular day the envoy of God is twelve -year-old Fatima. She is left in a village market, wearing an explosive belt with ten minutes until she kills the enemies of God. But this is the market where Fatima’s mother works and where she rediscovers life. For ten minutes we accompany her on the nail-biting journey of a martyr from the present to the past. With one minute left on the clock, she faces her mother. Confronted by her own helplessness, will time stop?

Comedy about a couple of interns in a hospital named 'The House of God'.